PART 3: How to shoot both RAW & JPEG for construction timelapseīoth RAW and JPEG formats bring their own strengths and advantages to the long-term timelapse table.īut – these two formats don’t need to be rivals! These techniques are most effective when working with RAW files. Undoubtedly, this is a game-changer for time lapse projects that encounter large changes in lighting conditions.īy adjusting settings like “gamma”, “shadows” or “recovery”, the subtle tones in the shadows and highlights can be reclaimed.Īnd this greater dynamic range across your long-term timelapse movie can give you a more natural look. This enables images to be brightened or darkened by as much as 3-4 stops, while still retaining many of the details. When working with RAW images, the full dynamic range of the camera is retained in the file.

When editing JPEG images, you will may find that only a limited range of highlight and shadow adjustment is possible.Įventually, you’ll encounter undesirable blocks of solid white or black. However, that information can be very useful during editing.

This information is not easily noticeable by the human eye, so the data is “clipped” and the detail is thrown away.

The smaller file sizes of JPEG images do come at a cost.Ī significant portion of these savings comes from removing the subtle tonal details hidden in the highlight and shadow regions of the image.

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